Having just
done a quick appraisee of Keats, a poet I had not read although I knew
the titles of some of his poetry. One is struck by the contrived way
the intellectual poet has to construct his craft and produce work known
as much for its metre as for its resonance. The technical term for the
beat or the measure is a "spondee". The term "negative capability" in
which the poet describes the things around him with an almost mystical
composure lent him the title of being a "Romantic Poet" and it's this
mixture of rhythmic metre and romantic compilation ( not romantic as
between a man and a woman but endowing everything with an infinite
meaning ) which marks him as a Romantic.
The heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk
It's not through envy of they happy lot
But being too happy in thine happiness
That thou light winged Dryad of the trees
In some melodious plot
Of Beechen green, and shadows numberless
Singest of summer in full throated ease
His
short life was rich in the friends and supporters, the names mark a
Parthenon of English poets and writers such as Byron and Shelly
His
early career of training to become a doctor, especially when one
considers the rudimentary nature of surgery seems a harsh world to walk
in with the contrasting sympathy of observing and writing about the
beauty of the world at the bottom of his garden.
His
life would have been so different if he had known of the substantial
money's bequeathed to him from within the family but he was never told
and so money was always at the back of his mind.
Tuberculosis,
which eventually killed him was a common enemy amongst his friends and
family and the nursing of his brother Tom must have been the site of his
own infection.
Poetry
did not flow, it was a work in hand as he struggled to shape the poem,
its words and the meaning of those words used in the difficult format of
a poem.
There
are many heraldic poets like of Tennyson who's 'Charge of the Light
Brigade' lead one onto the upland heroic or 'The Brook' a favourite of
my Father with its synonymous link with life's journey and the unending
nature of the stream which never dies.
I come from haunts of coot and hern
I make a sudden sally
And sparkle out amongst the fern
To bicker down a valley
By thirty hills I hurry down
Or slip between the ridges
By twenty thorps, a little town
And half a hundred bridges
Till last by Philips farm I flow
To join the brimming river
For men may come and men may go
But I go on for ever.
Grays,
'Elegy written in an English grave yard' is another call to the past
and the present. The opening lines catch the reader straight away, there
is no technical contrivance to mystify, only the simple metre of men
going about their business.
"The curfew tolls the knell of parting day,
The lowering herd winds slowly o'er the lea
The lowering herd winds slowly o'er the lea
The ploughman plods his weary way
And leaves the world to darkness and to me."
Now fades the glimmering landscape on the sight
And all the air a Solemn stillness holds
Save where the beetle wheals his drowning flight
And drowsy inklings lull the distant folds
Save from yonder Ivy-mantled tower
The moping owl to the moon does complain
Of such as wandering near her secret bower
Molest her ancient and solitary reign
--- ---- ---- ----
Some village hampden that with dauntless breast
The little tyrant of his field withstood
Some mute inglorious Milton here may rest
Some Cromwell guiltless of his countries blood.
I'm not sure how you instil the love of poetry by teaching the young
person the techniques of observation using subject matter remote and far
from the young mind, living in an age such as ours. His poetry is the
stuff of university not the 6th form but then perhaps, as in so
many things, I am wrong and underestimate youths sensitivity to form and
texture ?
"Hey teachers! Leave them kids alone! All in all its just another brick in the wall"
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